Tuesday, April 23, 2013, 7:30 pm
For the April meeting, artist Chris Curreri presents a collection of found photographs that elude easy interpretation.
March 13, 20 & 27, 2013, 7:00 pm
Curator Pablo de Ocampo has invited six curators and artists to each offer one programming suggestion in response to a video document of civil rights activist Queen Mother Moore. The responses will be shown over three screenings with discussions lead by de Ocampo and Kim Simon.
March 7 & 8, 2013
Gallery TPW and The Power Plant co-present an intimate working session with curator Anthony Huberman. A two-part event, participants are first asked to attend a lecture by Huberman where he will discuss The Artist’s Institute. The following evening, you are invited to re-convene and consider productive misbehavior within art institutions.
Saturday, March 2, 2013, 8:00 pm
Gallery TPW and Nothing Else Press host a performative lecture by Karen Azoulay. Presenting a slide show of approximately 200 images from her larger collection, Azoulay speaks about her personal phobia of the monument, which instigated the project, and reads from her new book.
Monday, February 25, 2013, 7:30 pm
In dialogue with the exhibition, HUMAN RIGHTS HUMAN WRONGS, currently on view at the Ryerson Image Centre, this month's meeting will examine a selection of images from the exhibition made available to visitors as free, miniature postcards.
Wednesday, February 6, 2013, 7:00 pm
A discussion placing several people in conversation, following an intuition that each of their practices has something to offer to the other. We have a hunch that something, as yet unknown but dynamic and productive will emerge.
Friday, February 15, 2013, 8:00pm
As part of the exhibition Pandy Ramada’s Bendable Displex, join us for a musical performance that picks up on recent activity at TPW R&D — displex, phantasmagoria, and how we confront the lives of others through images.
Tuesday, January 28, 2013, 7:30 pm
A monthly “looking group” that invites participants to look at a photograph (or series of photographs) they are unfamiliar with, and “read” the image out-loud together. Responding to Deanna Bowen’s Invisible Empires, at the Art Gallery of York University (AGYU), the first meeting will place archival images of racial violence in dialogue with Bowen’s installation.
A project by Public Recordings, an atelier that explores and shares choreographic experimentation through artistic research, performance creation, publication and education. For the first event in the series, we'll use "relay interview," a methodology for shared conversation developed by Jacob Wren (PME-ART).
Thursday, September 20, 2012, 7:00 pm
Working from Ariella Azoulay’s notion of the event of photography, and Susan Meiselas’s writing about untaken and unshowable photographs, this panel discusses images that are difficult to show, have been withheld, or which we know exist but do not circulate.