June 29—August 3, 2019
Positioning the image as an encounter between performer and audience, Visiting Hours presents new work by Montreal-based artist and choreographer k.g. Guttman. A live exhibition hosted by an ensemble of performers, Guttman offers a participatory experience where visitors are guided in relational and embodied observation techniques with images pulled from the practices of six Toronto-affiliated artists.
It is now here that I have gathered and measured yes.
May 4—June 8, 2019
Often working with staged objects and performative actions across disciplines, Scarborough-based artist Erika DeFreitas’ new body of work explores intuitive processes and their representation as extended ways of knowing. Influenced by 19th and early 20th century spirit and occult photography, It is now here that I have gathered and measured yes., employs camera and cameraless photographic techniques that recall photography’s important role in the heyday of the Spiritualist movement.
March 9 to April 20, 2019
4 Waters: Deep Implicancy traces the striking possibility of a state without value. The film assembles fragments that touch on a kind of knowledge imbedded in a moment preceding human history or geological timescales.
January 16—February 23, 2019
Presented as a poly-vocal mini-opera, Chloë Lum and Yannick Desranleau’s What Do Stones Smell Like in the Forest? stages a conversation about illness, pain, and what it means to become inanimate.
September 13—November 3, 2018
Emphasizing invisible labour and Indigenous-led economies, Coney Island Baby features a collaborative film project by Jeneen Frei Njootli, Gabrielle L’Hirondelle Hill, Chandra Melting Tallow and Tania Willard.
June 28–August 4, 2018
Enough continues Eileen Quinlan’s investigation into the material conditions of vision, through a new installation of densely tactile black-and-white photographs produced by the American artist over the last two years.
May 5–June 9, 2018
A Body Knots is a new site-responsive installation by Laurie Kang that coalesces several threads of the Toronto-based artist’s research into studies of genetics, science fiction, feminist theory, and her personal and cultural history.
March 15–April 21, 2018
Biologue creates an immersive 3D-video environment that playfully explores what the concept of “immersion” can promise across physical and virtual space.
January 13–February 24, 2018
Bambitchell’s first major solo exhibition, Special Works School transforms Gallery TPW into the speculative workshop of a surveillance artist.